April 08, 2008

Roots Run Deep in Campbell County

New Harmonies: Celebrating American Roots Music kicked off in LaFollette, Tennessee in March, and the Campbell Cultural Coalition pulled out all the stops in order to provide us with an expansive view into roots music traditions in Campbell County through their local companion exhibit.

This all-volunteer organization -- that's right . . . ALL-volunteer -- worked tirelessly with their project scholar Christie Burns, an independent folklorist from Chattanooga. Their companion exhibit tells a comprehensive story of roots music in the area from first inhabitants all the way to modern living traditions.

Christie, whom I can't praise highly enough, built an informative and elegant multimedia component to accompany the exhibit, and I invite you all to take a gander. If you can't make it to LaFollette to see the exhibit . . . here's the next best thing. Great job Campbell County and Christie Burns!

-- Paul McCoy, Program Officer, Humanities Tennessee, Nashville, TN

March 27, 2008

See It and Hear It for Real! New Harmonies Opens in Winfield, Kansas

Opening activities for New Harmonies: Celebrating American Roots Music at the Winfield Public Library in Winfield, Kansas included an exciting musical performance. The local Winfield Courier posted a video of their coverage of the opening on YouTube. Give it a look!

See and hear New Harmonies: Celebrating American Roots Music at a site near you. The Kansas tour of New Harmonies is made possible through the great support and coordination of the Kansas Humanities Council. Check the exhibition schedule at http://www.museumonmainstreet.org/newharmonies/harmonies_sched.htm.

-- Robbie Davis, SITES/Museum on Main Street, Washington, DC

February 22, 2008

What's for Dinner? Key Ingredients Website Tracks Your Favorites

Does a Maryland tomato pudding tickle your taste buds? How about blinn -- a Polish potato pie? Or, maybe a great serving of warm apple crisp on a cold day? We have the recipes for you on the Key Ingredients exhibition website at www.keyingredients.org. These are the top three favorites selected by visitors to the website. So, you know they have to be good!

The recipes, along with more than 350 others (all submitted by visitors to the website), are available as part of the website's American Cookbook Project. Stop by and search for your favorites by type of cuisine, cultural origins, or by state. While you're there, be sure to share one of your favorite recipes and the story that makes that dish special with us. The American Cookbook Project is all about the foods that make our culinary culture so diverse. Please help this collection of great recipes grow. We look forward to seeing your favorites soon!

-- Robbie Davis, SITES/Museum on Main Street, Washington, DC

December 27, 2007

New Harmonies Charms Idahoans

Most folks wouldn't think of Idaho as a state rich in roots music history. This is the biggest reason the IHC brought New Harmonies to the potato state, where some easterners think Native Americans are still hunting in the prairies in full garb. Sure, large parts of the state are rural and isolated from cultural activities, but New Harmonies has sparked an incredible fire under those communities to gather, remember, play and sing music from their heritage, childhood and church.

So far over 50,000 Idahoans have experienced the exhibition, local exhibits and the many programs in each host community (Burley, Idaho Falls, Kellogg, Challis, Idaho City and currently ending in Lewiston). The latest report we've received is from the small town of Idaho City, a beautiful old mining town about an hour outside of Boise. The group of coordinators did an incredible job with local concerts, school field trips (from Boise), and conducting exhibition tours through their great new library. This town, with about 500 residents, reached over 10,000 people in the six weeks they had the exhibit!

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The image contains a few comments sent from a Boise elementary school after their visit to Idaho City to see New Harmonies.

We've been very lucky to have this exhibit and know the party will not end when the exhibit leaves the state. Local roots music cd's are planned, speakers will continue to play music and talk about the origins of roots music across the state and at least one scholar will continue his search for Idaho roots music (more on this to come).

Thank you MoMS, the Federation of State Humanities Councils and SITES!

-- Jennifer Armstrong, Idaho Humanities Council, Boise, ID

December 10, 2007

Key Ingredients and Georgia, a Perfect Match!

When Georgians sing "Georgia on my Mind," they are more than likely thinking about the wonderful food the state has to offer. In one meal, Georgians can eat a Vidalia onion, an apple from the orchards of Ellijay, pecans from Tift County, barbeque from Butts County, catfish from Kingsland, a Chick-Fil-A sandwich from Hapeville (with the chicken coming from Dahlonega), or a bass caught in one of the lakes of Thomson. They can also attend a festival centered around food such as "The Big Pig Jig"  in Vienna, the Burke Farm Festival in Burke County, or they can ring in the new year in Haralson County's Possum Drop, with breakfast served immediately following. The foods mentioned can be cooked on one of the ranges manufactured by Roper Industries in LaFayette. Are you hungry yet? All of the places I just mentioned are sites in our tour of "Key Ingredients".

The exhibit will be in our state from June 2008 through February 2010. The upcoming tour is getting a lot of attention in Georgia. Not only do we have a very enthusiastic group of sites spreading the word; everyone from the Georgia Department of Economic Development (one of our partners), to visitors to the Georgia National Fair (we had a table there), on to people at the agri-tourism conference I attended recently have been very excited about the exhibit coming to Georgia. We hope to make this a very successful tour of "Key Ingredients". So, stay tuned . . . I will have more updates and news as we get closer to our kick-off. For now, I am going to sit down with a glass of sweet tea and decide whether to have the peach cobbler or pecan pie! Happy holidays to all!

-- Arden Williams, Georgia Humanities Council, Atlanta, GA

November 30, 2007

Key Ingredients: Impact and Legacy

We're midway through Key Ingredients here in Michigan.

A few weeks ago, one of Michigan's Key Ingredients sites posed an interesting question to their peers:  How do MOMS communities build upon their success as exhibit hosts? How do they take advantage of the increased visibility, presence, and stature in their communities?

The answers are revealing:

Site #1 noted that the experience prepared them to handle ambitious projects like this in the future. Also, the experience "looks good on future grant applications." The coordinator suggested keeping in contact with all program partners, with an eye towards for other ways to work together.

Site #2 remarked that Key Ingredients inspired them to pursue a three-year project including a professional exhibit and oral history project. The coordinator said that they are trying to "capture" their exhibition volunteers and bring them into the folds of the organization. She noted that the exhibit led to new levels of participation and collaboration between her organization and area businesses. "Our community really rallied around" the exhibits, she reported. But, she also noted that she and the other local leadership was worn out.

Site #3 stated that the project raised community awareness of their organization. But, they must build upon the short-term "buzz" for any lasting legacy. The exhibits were housed in a new facility; as such, the coordinator experimented with a variety of programs. Based on the results -- some worked, some didn't -- which helped them construct models for future programming. She noted the importance of keeping new volunteers active and taking advantage of future fund raising opportunities amongst program partners.

She ended with a prescient observation: In order to continue the success of something like Key Ingredients, an organization must make an investment (in staff or otherwise) to maintain the level of activity reached during the exhibit. If treated as a one-time event, it will be just that.

In my personal experience, I think it's key for host organizations to keep in mind that it's not so much the appearance of Key Ingredients -- or any exhibit -- as it is the actions of the organization itself that lead to long-term impact. In other words, getting the exhibits is half the story. Organizations are "awarded" them because they already have the capacity, creativity, and infrastructure to support similar projects.

-- Gregory Parker, Michigan State Coordinator for Key Ingredients, Michigan Humanities Council, Lansing, MI

November 29, 2007

Creative Programs Make Between Fences a Hit In Evanston, Wyoming

Local students and visitors have been flocking to the Uinta County Museum in Evanston, Wyoming since it opened Between Fences a few weeks ago. The museum's director, Barbara Allen Bogart, reports on their successful programs:

"Our accompanying exhibits include entries in the quilt challenge and photo contest, and several display panels on "Famous Fences." Members of a local 4-H Club took photos of fences in the county; a middle school teacher had her students produce quilt blocks on the theme of fences. One of the high school art teachers challenged her students to produce art work on "personal fences" -- the result is six brightly colored corrugated metal panels erected like a fence in the front of the building and an "accordion book" display inside the Museum.  We also created a "velcro poetry" poetry board (similar to Magnetic Poetry) made with about 200 individual words printed on colored paper, then mounted on foam core, with velcro on the back (painstakingly put on by a volunteer). We have folding table-top panels with fabric covering that people can use to arrange the words.

The local Murdochs ranch supply store loaned us two eight-foot metal gates. We put them up outside the building and mounted large signs on them that can be read from the street -- "Good Fences Make Good Neighbors," "Don't Fence Me In," and "How do you build your fences?"

At our opening reception on Saturday, the local civic choir performed several fence-themed songs and we announced the winners of the quilt and photo contests. Mike McClure from Lander presented the photo awards. We had more than 100 people attend the reception and see the exhibit.

On Monday, more than 100 eighth graders visited us; on Tuesday, it was 60 fourth graders. We have scheduled all the 4th, 7th and 8th grade students in the district to see the exhibit. We have trained 10 volunteer docents to lead the school tours -- all of them are former teachers, which works like a dream.  They are happy to be involved and they are accustomed to working with children. Most importantly, they are able to take the suggestions in the docent handbook and translate them into kid terms.

When we have more students than we can accommodate in the building, we have an activity center in an adjacent building where kids can create acrostic poems, use our velcro poetry board, work on a fence matching activity, play with Lincoln Logs, and discuss the images on the classroom poster. These activities are for younger students; the middle school students really enjoy the activity sheets that were provided with the exhibit. We created a board with photos of various scenes that required fences. Students had to match the fence pieces (which are printed on both sides) with the scenes, so that the fence on each side of the piece matches the scene.

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Uinta County Museum's fence matching game

The newspaper is giving us great coverage. We placed a couple of ads in the newspaper, free ads on two local access cable stations, and posters plastered all over town. Other forms of publicity that are working especially well are box-toppers at the local Dominos and table tents at local restaurants. We have already had visitors in the Museum who learned of the exhibit through these media. At Dominos, we produced 500 half-sheets announcing the exhibit that they taped to pizza boxes at no charge. Now that the exhibit is launched, we feel like we can relax a little!  So far, so good!"

Congratulations to everyone in Evanston for their great efforts! To find out more about their local programs, visit the museum's website at http://www.uintacounty.com/index.asp?nid=28

-- Robbie Davis, Museum on Main Street, SITES, Washington, DC

November 28, 2007

Food and Fun at Bowie, Maryland's Belair Mansion

Congratulations go to Bowie, Maryland for rolling out an exciting welcome mat for Key Ingredients: America by Food. The exhibition is at historic Belair Mansion, operated by the City of Bowie Museums, through January 5. In just the first week of festivities, more than 150 people enjoyed events associated with the opening of the exhibition. A symposium on Maryland foodways attracted participants from as far away as Delaware, New Jersey and Massachusetts. Speaker Mary Ann Jung appeared as Julia Child at an event at the Bowie Library. There are local exhibitions at the community's other museums, including "What Do Horses Eat" at the Belair Stables. And, the museum was greeted on its first weekend with the exhibition with three times the normal number of visitors! For more information on the museum's plans for Key Ingredients, visit its website at http://www.cityofbowie.org/museum/

-- Robbie Davis, Museum on Main Street, SITES, Washington, DC

November 15, 2007

Reinvigorating the Past in Elkton, Maryland

The Historical Society of Cecil County was pleased to sponsor Key Ingredients in northeastern Maryland. Building on the Museum on Main Street product, we curated a display, held lectures, and sponsored a photo contest. When the evening arrived to kick off the activities, 17 downtown Elkton shops, galleries, restaurants, and bars stayed open to celebrate the Smithsonian's arrival. We also partnered with the local Arts Council and the Elkton Alliance, the Maryland Main Street's revitalization authority, for the visit, which was made possible through the Maryland Humanities Council.

It was an unsually comfortable August evening on the Chesapeake Bay when we opened our doors to welcome the public and a great crowd turned out. People filled our headquarters as fantastic original music flowed and shop owners and restaurants greeted some 400 visitors. Before strolling through the business district on the "Taste Loop," I was already so pleased with the pleasant evening, the outstanding exhibit, and the astounding turnout that filled our museum. But as dusk settled on Cecil County, I strolled down Main Street with Jean Wortman from the Maryland Humanities Council and her husband. That's an experience I will long recall for it was wonderful to see the business area filled with strollers enjoying the ambiance of the evening, the entertainment and displays, and the samplings of local food that a dozen restaurants offered. As we passed from shop-to-shop, enjoying conversations at every stop, it was reminiscent of a downtown I recall from forty or more years ago, when Elkton's business district regularly filled with shoppers and strollers on Friday and Saturday evening.

This was a wonderful opportunity for the community and the Society. Hundreds of patrons visited the museum and businesses on opening night and a large portion of the assemblage was new to our downtown and to our organization. After the show, a number of the older businesspeople remarked about how much they too enjoyed the evening for it reminded them of a time long ago when the heart of the historic town was a bustling place on shopping nights. It was wonderful for us to be able to facilitate this occurrence for it demonstrated to key community stakeholders the power of our museum as an anchor in an old town that is working to draw people downtown and it demonstrated the value of working together on large initiatives.

We thank the Smithsonian and the Maryland Humanities Council for making this possible and we look forward to building on this broad-based demonstration project.

-- Michael Dixon, Historian, Historical Society of Cecil County, Elkton, Maryland

October 31, 2007

Opening Acts: Warming Up The Crowds for New Harmonies

Mendota, Ilinois has pulled out all the stops in an effort to create a buzz about the upcoming Smithsonian exhibition on roots music, New Harmonies, with a series of performance events presented over the 6 months prior to the opening of the exhibit. To be perfectly honest, as the Illinois State Scholar, I was a bit concerned about the idea of having most of the programing prior to the arrival of New Harmonies. In retrospect, it has proven to be a brilliant move, creating a wide sense of awareness and expectation for the soon-to-arrive exhibit.

The early visibility proved to be quite vital for fund raising both on a grassroots level ("pass the hat" contributions were more than double what was budgeted). And, it garnered an outpouring of support from local and regional sponsors and arts and humanities Councils (over 14 sponsors to date). Mendota also made use of its quarterly newsletter: a self-produced and printed booklet made with Windows Publisher. It is simple: three sheets of 8 1/2" X 11" paper printed on both sides and folded in half to make a booklet. This goes out to their membership via mail and was passed out at the events through the summer. Perhaps I'll devote an entire blog to this sometime and show examples from the different sites in Illinois.

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MMHS Newsletter

The performance events began with a series of Sunday evening concerts in the park. Mendota will get New Harmonies on November 16th, 2007, so the concerts in the park ran through the summer. I was fortunate enough to perform at one of these. It was a beautiful July evening in the town park surrounded by 100-year-old maples and oaks in front of the Carnegie Library that now houses the Mendota Historical Museum.  It was a perfect location for a roots music performance and, no doubt, had been the site of many such concert in years past. Other concerts included a local jazz band in June and a performance by members of the Northern Illinois Bluegrass Association in August. The series was deemed such a success that plans are in the works to continue the tradition next summer.

My concert was to be supported by an Artstour Grant from the Illinois Arts Council. We applied too late and the funding was gone (get the application in early in the grant cycle!) but this is a good program you should know about. Artstour is a relatively simple grant that pays up to 50% of the artist's fees. You can read more about it at the Illinois Arts Council's web site at http://www.state.il.us/agency/iac/artstour/includes/grant/htm. Many states have similar programs through their state and regional Arts Councils. Don't forget, if you are presenting live performances, Arts Councils that might not otherwise fund a museum will support your programing!

The September Barn Dance proved to be a very big hit with all that attended. I asked Museum Manager Shirley Pierson to describe the event in her own words. Here's what she had to say:

We received a large building as an in kind contribution from a member of the Mendota Museum and Historical Society, Dale Cotton. Five volunteers, including my husband and I, spent three hours the day before the dance sweeping, dusting and decorating. We asked people to bring lawn chairs, but realizing that some would not, we planned ahead. We found 4 large, heavy pews and moved them to the perimeters of the dance floor. We cleaned and supplied three restrooms with the necessary paper products and soap.

When we arrived the next evening, Boy Scout Troop 106 was already present setting up a food booth. They served sandwiches, beverages and popcorn through the night. As a special treat, later that evening they served fruit cobbler that had been prepared in Lodge kettles. It was the hit of the food stand!.

At 7:00 when the dance was to start, Martha Tyner and the band were in place and beginning to play. The floor was ready and the people came. Approximately 125 people streamed through the doors over the next 1/2 hour.

When Martha began the first squares, it was like pulling hen's teeth to get people on the floor. No one wanted to make "fools of themselves". However, three or four squares entered the dance area, after much urging, and the evening began. Once on the floor, realizing how much fun they were having, they rarely left. 

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Getting a square together

The greatest pleasure was seeing the variety of ages present. The youngest was 8 and the oldest was probably in her 80's. One of the oldest participants quietly sat in her lawn chair by the perimeter of the dance floor. When the dance was over, she folded her chair and as she walked to her car informed members of the MMHS that it was a fantastic evening for her.

Martha called her last dance for the evening at approximately 9:30. The majority of the people were still there and reluctantly wandered to their waiting vehicles to part for the night. The comment heard most frequently as we parted for the evening was "When are you going to do this again?"

In October, blues musician Eric Noden performed 6 assemblies for the Mendota grade schools (partially funded through the local parent teacher group and one of the schools) creating quite a stir among students there. Building on his previous experience as an Artist in Residency in Mendota, Eric shared his excitement about roots music with a whole new group of kids while re-kindling his connection with his previous students.

Each of these events was well covered by local and regional press which resulted in a continuous flow of very effective and free publicity that has helped create awareness of both the soon to arrive exhibition, and the ongoing efforts of the Mendota Museum and Historical Society.  All in all, it should make for a successful showing!

-- Chris Vallillo, Illinois State Scholar for New Harmonies